Mimara Museum

About

The Mimara Museum (Croatian: Zbirka umjetnina Ante i Wiltrude Topić Mimara or simply Muzej Mimara) is an art museum in the city of Zagreb, Croatia, opened on July 17, 1987. It is situated on Roosevelt Square, housing the collection by its founders; Ante Topić Mimara and his wife Wiltrud. The museum, whose building is designed in the Beaux-Arts and Neo-Renaissance architecture style, houses a collection of over 3,750 objects, distributed across 9,453.79 m2 (101,759.7 sq ft), which makes it one of the largest art museums in the world. Collection includes Ptolemaic glassware from Alexandria, jade and ivory Qing-dynasty ornaments, 14th-century wooden crosses encrusted with semiprecious stones, and paintings from European masters such as Rubens, Giorgione, Bronzino, Bosch, Velázquez, van Dyck, Goya, Catena, Renoir and Degas. The museum catalogue comprises a wide range of works and collections, including paintings from Italian, Dutch, German, English, Flemish, French, and Spanish schools; drawings and prints; European sculpture and decorative arts; and collections of ancient civilizations, ivory, ceramics and porcelain, glass, furniture, textiles and carpets, as well as Chinese and other...

Ante Topić Mimara (1898 – 1987), was born on April 7, 1898 in Korušce, and was a Croatian art collector, painter and restorer. From an early age, influenced by visits to Split and the archaeological site of Salona, as well as by the teachings of Frane Bulić, he developed a strong interest in history and cultural heritage. His formative years were marked by the First World War, during which he served as a soldier. After the war, in 1918, he moved to Rome, where he worked in the studio of Antonio Mancini and studied art restoration, further deepening his engagement with European art and laying the foundations for his later career as a collector. Starting in the mid-1920s he began collecting art objects, a hobby that grew into a significant collection over the years. He lived in Rome, Paris, Amsterdam, Munich, and Berlin, continuously expanding his collection throughout his life. Even before World War II Mimara had a noteworthy art collection, with professional texts about his works appearing in prestigious German art magazines.

He regularly participated in auctions and visited the major European antiquarian markets and numerous exhibitions across the continent, establishing himself as a devoted connoisseur of art. Mimara maintained close relationships with a wide circle of prominent art historians and archaeologists. The significance of his collection is perhaps best illustrated by the words of Otto von Falke, founder of the Kunstgewerbemuseum in Cologne and director of the Berlin Museums: " …within a very diverse private collection… there are several well-preserved works of high quality. "

In 1948 Ante Topić Mimara made his first donation by giving numerous paintings and sculptures to Strossmayer's gallery in Zagreb and National Museum of Serbia in Belgrade, which was later presented in an exhibition in 1969. He continued to expand his collection with great passion, transforming it into a true treasure that reflects the artistic achievements of millennia. Mimara lived in Tangier and Salzburg, spending his final years in Zagreb. In 1973, he formalized the foundation of a new museum through a donation agreement, intended to be established in Zagreb, and supplemented the collection with an addendum in 1986. To realize his vision, the central space of the so-called School Forum on Roosevelt Square 5, was adapted for the museum. Mimara approved the permanent exhibition plan, carefully detailed in a 1986 scenario. However, he died in Zagreb on 30 January 1987, before the museum's official opening. The foundation of today's Mimara Museum was established through his major donations between 1973 and 1986, including works from his collection and those of his wife, Wiltrud Topić Mersmann.

Upon its opening in 1987, the museum’s art collection came under scrutiny from several art critics and historians. According to Thomas Hoving, "Topic Mimara's hoard of masterpieces are 95 percent fakes produced by him and his hired forgers.". According to Federico Zeri, the preview contained "trash along with some good things. Ninety percent is junk."; Ante Topić Mimara built his collection by forging, but also by looting and swindling. According to David Ekserdjian, Mimara "was pathologically inclined to believe his ugliest ducklings were the most gorgeous of swans. In consequence, and in spite of energetic attempts since his death to study his collection with appropriate rigour, as a rule a good dose of scepticism remains the correct response to the attributional optimism on display at the Mimara Museum in Zagreb"

The museum denied these claims, maintaining on multiple occasions the authenticity and accurate attribution of its artworks, and asserting that both internal evaluations and independent expert analyses had confirmed the integrity and provenance of the collection.

The Museum building in 1930s Mimara Museum, 2014 The Mimara Museum is housed within the architectural complex of the Zagreb's Lower Town gymnasiums, a free-standing, two-storey U-shaped structure built between 1894 and 1895 in the spirit of historicism. A notable example of a Neo-Renaissance and Beaux-Arts palace, the building was designed by the German architects Alfred Ludwig and Ljudevit Teodor Hülssner of Leipzig, specialists in building schools in the Austro-Hungarian Empire. Commissioned in 1892 and opened in 1895 on the occasion of the visit of Franz Joseph I of Austria to Zagreb, it was originally intended to house three educational institutions—a Royal Real Gymnasium, the Royal Lower Town Classical Gymnasium, and a Higher School of Commerce—with shared museum and gymnasium facilities, forming part of an unrealised school forum conceived by Izidor Kršnjavi. The main wing was later adapted into a museum and opened to the public as today - Mimara Museum in 1987.

Situated in the historical centre of Zagreb close to the Green Horseshoe system of city parks, the neoclassical museum building dating from the second half of the 19th century is part of the typical urban architecture of Zagreb's Lower Town. It was built in 1896 as a complex of school buildings. Built in pseudo-renaissance style of the Italian urban palaces, the building is classified as architectural heritage protected by the Ministry of Culture of the Republic of Croatia. The monumental school building was built on the initiative of Doctor Izidor Kršnjavi, a prominent Croatian figure in the late 19th century. The museum's atrium and the former school gym was built in the style of ancient Greek temples.

- Mandoline and Guitar (1913), Pablo Picasso (exhibition in Mimara Museum, 2019) Standing naked woman (1908), Othon Friesz (exhibition in Mimara Museum, 2005) Collections within the museum:

- Collection of drawings, graphics and illuminations

- Collection of metals and other materials

Mimara Museum held numerous of exhibitions including; Pablo Picasso (2019), Othon Friesz (2005), Zbirka Morton (2020), Ivica Propadalo (2019), Katica Gajski (2019), Nada Zec Ivanović (2019), Andrea Alessi (2019), Neda Miranda Blažević-Krietzman (2019), Dimitrije Popović (2019), Shosha Talik (2019), Hrvoje Marko Peruzović (2019), Nada Žiljak (2018), Andrej Grabrovec (2017), Karim Rashid (2017), Ivica Vlašić (2016), Mary Beale (2016), Paul Gavarni (2013), Croatian Apoxyomenos (2012), Aleksandar Ljahnicky (1994) and many more.

Ante Topić Mimara (1898 – 1987), was born on April 7, 1898 in Korušce, and was a Croatian art collector, painter and restorer. From an early age, influenced by visits to Split and the archaeological site of Salona, as well as by the teachings of Frane Bulić, he developed a strong interest in history and cultural heritage. His formative years were marked by the First World War, during which he served as a soldier. After the war, in 1918, he moved to Rome, where he worked in the studio of Antonio Mancini and studied art restoration, further deepening his engagement with European art and laying the foundations for his later career as a collector. Starting in the mid-1920s he began collecting art objects, a hobby that grew into a significant collection over the years. He lived in Rome, Paris, Amsterdam, Munich, and Berlin, continuously expanding his collection throughout his life. Even before World War II Mimara had a noteworthy art collection, with professional texts about his works appearing in prestigious German art magazines.

He regularly participated in auctions and visited the major European antiquarian markets and numerous exhibitions across the continent, establishing himself as a devoted connoisseur of art. Mimara maintained close relationships with a wide circle of prominent art historians and archaeologists. The significance of his collection is perhaps best illustrated by the words of Otto von Falke, founder of the Kunstgewerbemuseum in Cologne and director of the Berlin Museums: " …within a very diverse private collection… there are several well-preserved works of high quality. "

In 1948 Ante Topić Mimara made his first donation by giving numerous paintings and sculptures to Strossmayer's gallery in Zagreb and National Museum of Serbia in Belgrade, which was later presented in an exhibition in 1969. He continued to expand his collection with great passion, transforming it into a true treasure that reflects the artistic achievements of millennia. Mimara lived in Tangier and Salzburg, spending his final years in Zagreb. In 1973, he formalized the foundation of a new museum through a donation agreement, intended to be established in Zagreb, and supplemented the collection with an addendum in 1986. To realize his vision, the central space of the so-called School Forum on Roosevelt Square 5, was adapted for the museum. Mimara approved the permanent exhibition plan, carefully detailed in a 1986 scenario. However, he died in Zagreb on 30 January 1987, before the museum's official opening. The foundation of today's Mimara Museum was established through his major donations between 1973 and 1986, including works from his collection and those of his wife, Wiltrud Topić Mersmann.

Upon its opening in 1987, the museum’s art collection came under scrutiny from several art critics and historians. According to Thomas Hoving, "Topic Mimara's hoard of masterpieces are 95 percent fakes produced by him and his hired forgers.". According to Federico Zeri, the preview contained "trash along with some good things. Ninety percent is junk."; Ante Topić Mimara built his collection by forging, but also by looting and swindling. According to David Ekserdjian, Mimara "was pathologically inclined to believe his ugliest ducklings were the most gorgeous of swans. In consequence, and in spite of energetic attempts since his death to study his collection with appropriate rigour, as a rule a good dose of scepticism remains the correct response to the attributional optimism on display at the Mimara Museum in Zagreb"

The museum denied these claims, maintaining on multiple occasions the authenticity and accurate attribution of its artworks, and asserting that both internal evaluations and independent expert analyses had confirmed the integrity and provenance of the collection.

The Museum building in 1930s Mimara Museum, 2014 The Mimara Museum is housed within the architectural complex of the Zagreb's Lower Town gymnasiums, a free-standing, two-storey U-shaped structure built between 1894 and 1895 in the spirit of historicism. A notable example of a Neo-Renaissance and Beaux-Arts palace, the building was designed by the German architects Alfred Ludwig and Ljudevit Teodor Hülssner of Leipzig, specialists in building schools in the Austro-Hungarian Empire. Commissioned in 1892 and opened in 1895 on the occasion of the visit of Franz Joseph I of Austria to Zagreb, it was originally intended to house three educational institutions—a Royal Real Gymnasium, the Royal Lower Town Classical Gymnasium, and a Higher School of Commerce—with shared museum and gymnasium facilities, forming part of an unrealised school forum conceived by Izidor Kršnjavi. The main wing was later adapted into a museum and opened to the public as today - Mimara Museum in 1987.

Situated in the historical centre of Zagreb close to the Green Horseshoe system of city parks, the neoclassical museum building dating from the second half of the 19th century is part of the typical urban architecture of Zagreb's Lower Town. It was built in 1896 as a complex of school buildings. Built in pseudo-renaissance style of the Italian urban palaces, the building is classified as architectural heritage protected by the Ministry of Culture of the Republic of Croatia. The monumental school building was built on the initiative of Doctor Izidor Kršnjavi, a prominent Croatian figure in the late 19th century. The museum's atrium and the former school gym was built in the style of ancient Greek temples.

Mandoline and Guitar (1913), Pablo Picasso (exhibition in Mimara Museum, 2019) Standing naked woman (1908), Othon Friesz (exhibition in Mimara Museum, 2005) Collections within the museum: