Museo internazionale delle marionette Antonio Pasqualino

About

The Antonio Pasqualino International Puppet Museum of Palermo operates in the field of national and international, traditional and contemporary puppetry. Founded in 1975 by the Association for the Conservation of Popular Traditions, it houses a vast collection of over 5,000 pieces, including marionettes, hand puppets, shadow puppets, and stage machines from all over the world. Among these, the museum preserves the largest and most complete collection of pupi of the Palermo, Catania, and Neapolitan type and constitutes a center for the safeguarding, conservation, enhancement, promotion and dissemination of the heritage linked to this theatrical practice which is representative of the identity of the territory. The collection is enriched by numerous materials used in the other puppet traditions that, as well as Sicilian Opera dei pupi, have been declared by UNESCO as Masterpieces of the Oral and Intangible Heritage of Humanity as well as contemporary artists' puppets created as part of the museum's new productions. For the correlation and synergy between its multiple activities and functions, the Antonio Pasqualino International Puppet Museum, which has become more and more a "performance...

The history of the museum is inextricably linked to Antonio Pasqualino, who died in 1995. He was a surgeon and an anthropologist from Palermo. He was a son of the painter Lia Noto and of Guglielmo Pasqualino di Marineo. Pasqualino in the second half of the Twentieth century worked to safeguard, promote and revitalize the Opera dei Pupi in a period of profound crisis for this theatrical practice. In 1965, together with a group of high-brows, he founded the Association for the Conservation of Popular Traditions and, together with his wife, Janne Vibaek collected many testimonies: from stage texts to puppets, theaters and furnishings, saving them from destruction and oblivion.

The economic and social transformation of Italy and Sicily in the middle of the last century caused the distancing of the traditional audience – mainly made up of men from the lower classes, who began to no longer mirror themselves in the models conveyed by the stories and characters of the shows. Empty of their traditional public, the puppeteers from all over Sicily began to close their theaters in search of more profitable activities, often selling or giving away their so-called "mestiere", or the set of theatrical props necessary for the staging of the shows.

After ten years of activity, the association founded the International Puppet Museum, in 1975, with the aim of restoring the heritage that Antonio Pasqualino had acquired in the meantime to Italian citizens: a “mestiere” of the Opera dei pupi pertaining to the Palermo school, belonging to the historic family of Gaspare Canino; and one of the Catania school, coming from the theater of Natale Meli.

Right from the start, the purely museographic activity of conservation and safeguarding of the museum heritage was combined with an intense theatrical activity. In the opening year, the first Review of the Opera dei pupi was organized, to which puppeteers from all over Sicily were invited to participate annually. The goal was to strengthen the relationship between Sicilian puppeteers and the public, thus favoring the transmission – still entrusted to orality today – of the vast wealth of knowledge of which they were and are custodians.

In 1985, the Review of the Opera dei pupi became the Morgana Festival, opening up to the traditions of puppetry from other countries of the world and to contemporary art. Even today, the museum annually organizes the Festival, inviting traditional and contemporary companies from Italy and abroad as well as integrating the theatrical programs with related activities including exhibitions, conferences and educational workshops.

The Association for the Conservation of Popular Traditions

The Association for the Conservation of Popular Traditions was established in 1965 by Antonio Pasqualino, with the involvement of a group of scholars and high-brows.

For over fifty years the association has been committed to safeguarding popular traditions and in particular to the safeguarding and promotion of the Opera dei pupi. This commitment becamwìe more evident when it engaged to support the candidacy of the Opera dei pupi aimed at inscribing it in the UNESCO list. Successfully, in May 2001 the Opera dei pupi was declared as a Unesco Masterpiece of the oral and intangible heritage of humanity, and in 2008, it was registered in the Representative List of the Intangible Cultural Heritage.

In 2018 the association promoted the establishment of the "Italian network of organizations for the protection, promotion and enhancement of the Opera dei pupi", recognized by the Italian Ministry for Cultural Heritage and Activities and Tourism as a competent territorial body in the field of safeguard and representative of the tradition of the Sicilian Opera dei pupi. The network brings together 13 Sicilian puppet companies and various Italian cultural and research bodies (including the Central Institute for Intangible Heritage, the Italian Society for Museography and Demo-ethno-anthropological Heritage - SIMBDEA, the Ignazio Buttitta Foundation and the Kiklos Cultural Association). The association, as the reference subject of the network, is responsible for the drafting of the "Plan of Measures for the Safeguarding of the Sicilian Opera dei Pupi", which aims to promote an ''effective plan of actions to safeguard, promote and enhance the element of the Opera dei pupi as part of a governance participation and a sustainable development project, consistent with the Operational Directives of the Convention for the Safeguarding of the Intangible Cultural Heritage.

In addition to this, in 2014 the association was accredited as a consultant non-governmental organization to the UNESCO Intergovernmental Committee of the Intangible Cultural Heritage (registration number NGO-90316). In 2015, the association was registered in the National Research Registry of the Italian Ministry of Education, University and Research – MIUR (identification code 000358_ART3) and since 2018, it is recognized as one of the cultural institutes of significant and ascertained value by the Italian Ministry for Cultural Heritage and Activities; finally, in 2019 it was welcomed in the AICI – Association of Italian Cultural Institutions.

Since its foundation, the International Puppet Museum has combined museum activity with performance: it firstly re-proposed traditional puppet shows, and later also research and innovation performances. Therefore, it was never conceived as a place for the conservation of dead things, but it immediately engages to revitalize traditional performative practices. The annual "Festival di Morgana, previously name Review of the Opera dei pupi, on the one hand allows significant insights into the Sicilian and southern Italian repertoire, on the other hand it helps Sicilian puppeteers find a new professional dignity through the exchange with puppeteers from all over the world and contemporary artists, thus laying the foundations for a study of extra-European theatrical practices both related to puppetry theatre and forms of traditional ritual theater. Since then the theatrical activity of the museum has welcomed the production of innovative shows, in collaboration with writers, painters, visual artists, contemporary musicians (e.g. Calvino, Guttuso, Kantor, Baj, Pennisi). This exchange and collaboration with Italian and foreign companyes in the traditional and contemporary puppet field has allowed the acquisition of works interesting from both an ethno-anthropological and an artistic points of view consolidating the image of the museum as a performance museum engaged with heritage responsibility, which continues its fervent activity between comparative research, museographic experimentation, revival of shows and support for Sicilian puppet companies.

The Association for the Conservation of Popular Traditions was established in 1965 by Antonio Pasqualino, with the involvement of a group of scholars and high-brows.

For over fifty years the association has been committed to safeguarding popular traditions and in particular to the safeguarding and promotion of the Opera dei pupi. This commitment becamwìe more evident when it engaged to support the candidacy of the Opera dei pupi aimed at inscribing it in the UNESCO list. Successfully, in May 2001 the Opera dei pupi was declared as a Unesco Masterpiece of the oral and intangible heritage of humanity, and in 2008, it was registered in the Representative List of the Intangible Cultural Heritage.

In 2018 the association promoted the establishment of the "Italian network of organizations for the protection, promotion and enhancement of the Opera dei pupi", recognized by the Italian Ministry for Cultural Heritage and Activities and Tourism as a competent territorial body in the field of safeguard and representative of the tradition of the Sicilian Opera dei pupi. The network brings together 13 Sicilian puppet companies and various Italian cultural and research bodies (including the Central Institute for Intangible Heritage, the Italian Society for Museography and Demo-ethno-anthropological Heritage - SIMBDEA, the Ignazio Buttitta Foundation and the Kiklos Cultural Association). The association, as the reference subject of the network, is responsible for the drafting of the "Plan of Measures for the Safeguarding of the Sicilian Opera dei Pupi", which aims to promote an ''effective plan of actions to safeguard, promote and enhance the element of the Opera dei pupi as part of a governance participation and a sustainable development project, consistent with the Operational Directives of the Convention for the Safeguarding of the Intangible Cultural Heritage.

In addition to this, in 2014 the association was accredited as a consultant non-governmental organization to the UNESCO Intergovernmental Committee of the Intangible Cultural Heritage (registration number NGO-90316). In 2015, the association was registered in the National Research Registry of the Italian Ministry of Education, University and Research – MIUR (identification code 000358_ART3) and since 2018, it is recognized as one of the cultural institutes of significant and ascertained value by the Italian Ministry for Cultural Heritage and Activities; finally, in 2019 it was welcomed in the AICI – Association of Italian Cultural Institutions.

Since its foundation, the International Puppet Museum has combined museum activity with performance: it firstly re-proposed traditional puppet shows, and later also research and innovation performances. Therefore, it was never conceived as a place for the conservation of dead things, but it immediately engages to revitalize traditional performative practices. The annual "Festival di Morgana, previously name Review of the Opera dei pupi, on the one hand allows significant insights into the Sicilian and southern Italian repertoire, on the other hand it helps Sicilian puppeteers find a new professional dignity through the exchange with puppeteers from all over the world and contemporary artists, thus laying the foundations for a study of extra-European theatrical practices both related to puppetry theatre and forms of traditional ritual theater. Since then the theatrical activity of the museum has welcomed the production of innovative shows, in collaboration with writers, painters, visual artists, contemporary musicians (e.g. Calvino, Guttuso, Kantor, Baj, Pennisi). This exchange and collaboration with Italian and foreign companyes in the traditional and contemporary puppet field has allowed the acquisition of works interesting from both an ethno-anthropological and an artistic points of view consolidating the image of the museum as a performance museum engaged with heritage responsibility, which continues its fervent activity between comparative research, museographic experimentation, revival of shows and support for Sicilian puppet companies.

The exhibition itinerary dysplays a collection consisting of over 5,000 animated figures ( pupi, marionettes, hand puppets, shadow puppets), theatrical props and billboards, from Italy and from abroad. Some of them are used the eight traditional puppet theatres of different cultures and countries, that as well as Sicilian Opera dei Pupi, were declared by UNESCO "Masterpieces of the oral and intangible heritage of humanity", and some contemporary artist's puppets created for the museum's new productions.

The Opera dei pupi and other UNESCO masterpieces

The first nuclei of the museum's collection were formed around the Sicilian Opera dei pupi. Today the museum houses the largest and most complete collection of pupi from Palermo, Catania and Naples and, among other things, it preserves the complete set of materials from three Opera dei pupi theaters: one of the Palermo tradition, which belonged to Gaspare Canino from Alcamo ; one of the Catania tradition, which belonged to Natale Meli of Reggio Calabria ; one of Neapolitan tradition that belonged to the Perna family of Frattamaggiore. The oldest pupo in the museum is "Carinda", dated to 1828 and once belonged to the Canino family. According to this family oral tradition, this marionette was the first armored pupo built by Don Liberto Canino.