Santa Croce
Church building · Vinci
Museum
The Museo Ideale Leonardo da Vinci is located in Vinci, Leonardo da Vinci's birthplace, in the province of Florence, Italy. It is part of the Museo leonardiano di Vinci.
The museum was inaugurated on October 2, 1993, under the patronage of the Regione Toscana, Provincia di Firenze, and the Municipality of Vinci. Support was provided by the Armand Hammer Center for Leonardo Studies ( University of California at Los Angeles ) and Raccolta Vinciana [ it ].
The museum director is Alessandro Vezzosi and the President of the International Association is Agnese Sabato. Carlo Pedretti was the honorary president until his death on January 5, 2018.
The museum was founded by scholars and artists as the first museum dedicated to Leonardo da Vinci. His works as an artist, scientist, inventor, and designer are explored through the theory of the Imaginary Museum.
The museum has developed exhibitions such as: [ citation needed ]
- Leonardo Art, Science and Utopia in Toronto in 1987
- Leonardo Disappeared and Found in Florence in 1988
- Leonardo News and Myth in Rome, 1989 and in Budapest, in 1991 It also created the first CD-Rom dedicated to Leonardo, Leonardo: The Digital Painting (ACTA, 1989).
The Museo Ideale Leonardo da Vinci presents research, philological inquiry and creativity. The three main objectives of the museum are: [ citation needed ]
- Dissemination of knowledge about the true Leonardo, beyond the stereotypes, rhetoric, and legend.
- Reporting the results of new studies and interpretations on Leonardo and also his school and influence.
- Reporting new interpretations of his work that take into account both the social and cultural context of the Renaissance.
The museum is located within the Conti Guidi castle [ it ] in Vinci, in the province of Florence, Italy. In 1868, as recorded by Giuseppi Garabaldi, ownership of the castle was shared with the counts of Masetti da Bagnano and the counts Guidi. [ citation needed ] Opposite the museum entrance is the former location of a mill (with a millpond) that was operated by Leonardo's father Ser Piero and his uncle Francesco, beginning in 1478. The nineteenth-century portion of the building was built on the foundations of the millpond owned by the city and by the da Vinci family. [ citation needed ]
Due to rainwater leaking into the exhibition areas from the overlying building, the museum was temporarily closed and was planned to reopen in 2019.
Started in 1972, the collection contains a variety of items pertaining to the city of Vinci. It was designed to assemble a variety of artwork, artifacts, and documents relevant to the museum's mission. [ citation needed ]
The collection includes original antique paintings, tools, and instruments from Leonardo's time and native land. Objects in the collection include models based on his projects, relevant memorabilia, and thousands of artifacts, including Knots by Albrecht Dürer and the Dome of Arts and Ideas by Buckminster Fuller, both of which are inspired by Leonardo. [ citation needed ]
The Museo Ideale traces its origins to the 1993 [ timeframe? ] exhibition, Leonardo and Leonardism in Naples and Rome. Modeled after the Capodimonte Museum and Palazzo Barberini, the museum is dedicated to researching and cataloguing works by Leonardo's collaborators, students and followers, in order to highlight characteristics of da Vinci's studio, as well as the extension of his influence in various Italian and European regions. [ citation needed ]
The aim is to represent and compare a growing number of works by Leonardeschi artists via scientific examination and iconographic analysis, in order to attribute works. [ citation needed ]
The museum also aims to collect all the quotes, derivations, uses and misuses of images of Leonardo, from art to mass media, from the 16th century to the present. This is a collection in progress, started in 1972, that includes thousands of original artworks and artifacts, reproductions and documentary materials from around the world, from Old Master engravings to Marcel Duchamp, bookplates and stamps, memorabilia from the nineteenth-century cinema, and advertising. [ citation needed ]
Following the discovery of fingerprints in Leonardo's paintings and manuscripts, the Museo Ideale has been working systematically on the topic of Leonardo's fingerprints. This research is far from reaching definitive conclusions and is subject to misunderstanding and falsification. With the collaborative and interdisciplinary advice of other institutions conducting scholarly investigations, the museum aims to identify and reconstruct Leonardo's fingerprints and to contribute to anthropological knowledge of the artist and his works, which has been often executed not only with the brush, but with the use of his bare fingers, too. [ citation needed ]