Museum

Museo civico archeologico di Magliano Sabina

Italy Magliano Sabina Italian national heritage
Museo civico archeologico di Magliano Sabina
Museo civico archeologico di Magliano Sabina · Wikipedia

About

The Archaeological Museum of Magliano Sabina is housed in Palazzo Gori. It is distributed over three floors, two of which can be visited by users, and one is reserved for the warehouse and restoration laboratory. The artifacts are displayed according to provenance and presented in chronological succession, which makes it possible to trace the fundamental lines of civilization in the Tiber Valley.

The Civic Archaeological Museum of Magliano Sabina, previously housed on the top floor of the Municipal Palace, was established in the last decade of the last century, exactly in 1989, with regional funding from the Museums Office of the Lazio Region and the contribution of the Municipality and is currently housed at Palazzo Gori in the town’s historic center. Its establishment was possible thanks to a collection carried out over decades following all kinds of interventions carried out on the territory, both agricultural and service, by some local enthusiasts who gathered in a research group.

Through the constant study and review of a large number of fragments, there are 1683 items inventoried and cataloged in the I.C.C.D ( Istituto Centrale per il Catalogo e la Documentazione [ it ] ) format and 800 exhibits from surface collections conducted within a geographical area that reaches from the River Nera to the River Farfa [ it ].

The museum’s collection consists of fragments that have been carefully reviewed and analyzed, alongside new topographical surveys of the region. This research has contributed to the scientific identification of the cultural origins and development of the Tiber Valley’s inhabitants, spanning from the Iron Age to Archaic periods. A notable outcome of this work was the identification and study of an Archaic settlement that once stretched across the hills where the town of Magliano now stands.

The museum's layout is on three floors divided into sections devoted to prehistory, the Bronze Age, the Iron Age, the Hellenistic, Archaic, and Roman periods up to medieval evidence. The first three floors can be visited by the public and house artifacts are displayed according to provenance and presented in chronological succession, which makes it possible to trace the fundamental lines of the Tiber Valley civilization.

In addition, the ground floor houses the reception offices that contain a small library for consultation available to users and a room dedicated to temporary exhibitions or educational workshops; the third and last floor, on the other hand, houses the warehouse with artifacts that are out of display or under restoration.

The sites from which the materials on display come, dating mainly to the Middle Paleolithic, were collected on a high terrace at the confluence of the L' Aia stream [ it ] with the Tiber approximately fronting the estuary of the Treja, consisting of gravelly and sandy alluvial deposits known by the toponyms of Grappignano [ it ], Colli Oti ( Area archeologica di Poggio Sommavilla [ it ] ), Macchia Grande, and Colle Rosetta. Materials can be divided into two distinct groups: one strongly modified by transport and external agents with encrustations that have altered its legibility; the second characterized by artifacts obtained with a predetermined chipping technique, i.e., capable of producing chips of controlled size (known as the Levallois technique, explained at the entrance with simulations of flint chipping).

Divided into 3 rooms, it collects archaeological documentation found in the area covering the time span from the Protohistoric Bronze Age to the invention of writing.

Tis room exhibits ceramic types represented by bowls, pitchers, ollae, and dolia. The material culture of these phases is represented by the exhibits of proto- Villanovan style found in Italy from the 12th to the 10th century B.C.E.:There are bowls with recessed rims, cups with flared rims, biconical vessels, ollae and dolia. The decorative repertoire consists of geometric motifs engraved in bands of grooves or imprinted with cords. Fragments of stoves used for cooking food are present.

The handmade wares on display are tableware pottery of finer workmanship (such as square cups, in some cases on pierced feet, cups with raised handles, amphorae, and amphorae with bifid or crested handles, jugs, and biconical vessels) and kitchenware (of coarser workmanship, mostly undecorated with a repertoire of forms represented by basins, large bowls, pans, ollae, dolia, and stoves) intended for cooking food and its preservation. These are handmade pottery with surfaces polished with sticks, decorated with ashlars, light grooves, ribs, and printed rims.

Writing marks the transition from protohistory to history. The small olla from the tomb of the Giglio necropolis in Magliano, as well as the miniature flask from Tomb III of the Poggio Sommavilla necropolis, document language and culture in the Tiber valley: a language that had adopted writing with an Euboic-Calcidian alphabet. Numerous cores of baked clay (hut plasters, second half of the seventh century B.C.) and grave goods include ollae in brown impasto, decorated with incision and excision, other large ollae in brown impasto, while the presence of bucchero vessels, in the types of chalices and kantharoi, testifies to trade with the Etruscan area.

Kantharos, floor 1, room 3 of the Archaeological Museum of Magliano Sabina

Archaeological map of the archaic center of Poggio Sommavilla-Foglia, Flaminia Verga

Archaeological map - Falerii and its region surveyed by the Sepolcri, Mancinelli Scotti Francesco

Within the built-up area of Foglia, after work on the Autostrada del Sole highway, above what remained of a rock necropolis carved into the tuffaceous wall on which the built area itself stands, close to a very ancient ford of the Tiber in communication with the Treja and Falerii Veteres, an inscription in the Faliscan alphabet of Foglia, a boustrophedon was found. It is found on a local sandstone slab. All letters are 3.5 cm in height, except for the 4 cm sigma and the 3 cm V sign.

This plan exhibits findings concerning the settlement of Magliano Sabina in the late Classical period and the subsequent Romanization phase.

The origin of the material is the necropolis, and on display are grave goods composed mostly of red-figure vases of Faliscan production, black-painted vessels with subdued decoration, and accompanied by impasto pottery.

The materials, collected at the Monte le Palme site in the Poggio Sommavilla archaeological area, are on display. They are framed between the late 7th and the first half of the 6th century and are fragments of red, stick-polished impasto goblets and fragments of saucers with impressed decoration. Next are materials collected from the necropolis area, recovered as a result of agricultural work. The large brown impasto olla with plastic cord decoration and the Sabine amphora in gray impasto document the activity of local workshops during the first half of the 6th century BCE.

The research carried out upstream of the Museum's installation offered a fairly accurate picture of the activities that took place on the farms but not of their structure while, as far as the villae are concerned, they left more evident signs on the ground, which made possible a hypothetical representation on a panel in this room.

From Colle Rosetta, a republican -era farm, materials related to agricultural activities come from and are exhibited: fragments of dolia (for storing foodstuffs and grains), amphorae for transporting wine (Greco-Italic amphorae), and other materials of daily use in addition to numerous fragments of fire ollae, basins and jugs, and black-glazed pottery in the forms of jugs, cups, and saucers. The presence of loom weights is an indication of spinning activities.