Regent Theatre, Wollongong

About

Regent Theatre is a heritage-listed former theatre and cinema at 197 Keira Street, Wollongong, City of Wollongong, New South Wales, Australia. It was designed by Reginald J. Magoffin with an interior by Marion Hall Best and built from 1950 to 1954. It was added to the New South Wales State Heritage Register on 9 May 2005.

Herbert Wyndham Jones was an important pioneer of the film exhibition industry in the Illawarra Region. Originally a storekeeper, he turned entrepreneur and by October 1930 he was leasing the Princess Theatre at Corrimal, a former boxing stadium. The Great Depression was having a major impact on the people in the Illawarra and the theatre was functioning as a Relief Centre. Jones undertook extensive repairs to the theatre in 1931 at great expense and it is concluded that "there may have been an element of civic duty in providing further opportunities for the growing numbers of unemployed to enjoy the escapism of the movies". Contrary to prevailing trends, Jones re-opened the theatre as a silent movie house but by September 1931 talkies were introduced. In mid 1931 Jones purchased the Princess Theatre for the sum of 1,400 pounds. The theatre remained in the Jones Family hands for forty-one years of its fifty-nine year life and was destroyed by fire in September 1971.

In 1933, Herbert Jones came to the rescue of the Balgownie School of Arts Committee which had faced an increasingly difficult time during the Great Depression and re-commenced film screenings in September 1933. The hall survives to the present day but film screenings ceased in April 1960.

In the early 1940s Jones commenced a regular 16mm picture show in the Miners' Reading Room in Kembla Heights and on Herbert's death in March 1943 his son Maurice continued the screenings until April 1950.

In 1938 Herbert Jones submitted a successful bid for a seven year lease for the showing of pictures at Wollongong Council's Town Hall Theatre and Council proceeded with renovations and improvements to the building designed by Crick and Furse in association with Mr & Mrs Jones.

Delays with the licensing of the theatre postponed its re-opening till October 1939. Jones introduced a number of innovations at this time - "deaf aids", emphasis on the screening of Australian productions and a preparedness to pay higher rental fees for premium films and to introduce daily matinees and extended seasons. Following his death, Herbert Jones' wife continued as the licensee of the Town Hall (Civic Theatre) until its closure in 1964.

Other innovations and technological advancements introduced by the Jones Family at the Civic Theatre were the installation of a new Western Electric sound system in 1951, the introduction of foreign-language films to the district commencing with La Ronde in 1953 and the VistaVision process in 1954 with a second large screen.

Robert Parkinson concluded "Not least, it (the Civic Theatre) allowed the Jones family to innovate for the benefit of picture goers, a technique that would be developed further at the Regent."

In 1934 Herbert Jones bought a block of land on the eastern side of Keira Street, between Crown and Market Streets, with the intention of erecting a picture theatre. In September 1935, architect Reginald John Magoffin of Sydney submitted plans to the Chief Secretary for a theatre measuring 130 feet by 84 feet behind an open courtyard itself measuring 120 feet by 40 feet. Revised plans submitted in April 1936 showed dressing rooms, fly tower, stage 45 feet by 16 feet, auditorium 70 feet by 102 feet (height 36 feet), courtyard as before, bio box at rear of circle, brick building, galvanized roof on steel trusses, and 1569 seats.

Following Chief Secretary approval, Jones launched a new company called South Coast Theatres Ltd, with authorised capital of 50,000 pounds (of which 20,000 pounds was to be raised in public shares) for the purpose of "erecting a Picture Theatre on Freehold Land situated in Keira Street, Wollongong the land is recognised as a very fine site for a Theatre will be of the latest design, modern in every particular. Special features will be the approach, comfortable seating, spacious lounges, winter garden, and ultra modern lighting effects. The Auditorium being set back from Keira Street will eliminate traffic noises, and be of material advantage to the acoustics with the present population there is already ample scope for a further Picture Theatre, and with the continuous increase, it will become a necessity, to cope with the number of theatregoers, many of whom at present are frequently unable to obtain seats. It is proposed to extend the operations of the Company on the South Coast after the theatre is well established in Wollongong as local conditions develop, the Management will probably be able to increase the average receipts by providing a more or less continuous series of Star Pictures, and so increase the takings and net profits beyond the figures shown.."

The prospectus also contained an architect's impression of the courtyard and auditorium exterior. The building that was eventually erected bore little resemblance to the 1936 ambitious plan.

On the Chief Secretary's inquiring about the lack of building progress in late 1938, Jones claimed that industrial, financial and political conditions had prevented work commencing. A case for not withdrawing approval was also put by Ernest Sommerlad MLC who later in 1945 was one of the key founders of the National Trust of Australia (NSW).

By November 1939 he notified the Chief Secretary that war has now intervened. "At present I am concerned with an attempt made by Wollongong Theatres Ltd to enter Balgownie in opposition to my existing holding and when this matter is disposed of I will give further consideration to the Keira Street proposition".

While war now provided Mr Jones with a good excuse, it seems likely that he had been keeping officialdom at bay in the absence of sufficient finance that the company had failed to raise.

Jones did not live to see the project commenced, let alone completed, for he died in March 1943. His wife, Emily Vaughan Jones and his son, Maurice, took over the picture business. In February 1947 they re-activated the Keira Street project and were then subject to processes of the Theatres and Films Commission. On this occasion, however, opposition did not arise and the Commission approved the project. Magoffin updated his plans to provide for rented offices over the vestibule, instead of an open courtyard, claiming as a precedent the erection of the Sydney Prince Edward Theatre auditorium over the vestibule. Construction of offices was intended to bring in much needed funds for the later construction of the auditorium.

Building work commenced in February 1950 but progress was very slow and the offices were not completed until 1954. It was commonly believed at the time by local observers as the vestibule was being constructed that it was in fact the theatre itself. But the even larger building which subsequently rose behind the vestibule was gradually recognised to be the theatre auditorium.

The vestibule, with its "glamorous wall and ceiling treatment" was the work of the acclaimed interior designers Marion Hall Best and Janet Single. Marion Hall Best who was born in 1905 became one of the first independent decorators operating in Sydney. By the time she closed her business in 1974 she had established a reputation as "high priestess of the avant-garde".

The Best style was "characterised by an adventurous and sophisticated use of colour in glazed walls and ceilings, international modernist and Australian furniture, Japanese temple blinds and lights and marimekko cottons and Jim Thompson Thai Silks".

Best's other significant public commissions included The Lobby Restaurant, Canberra and a consultancy on the seating fabrics and outdoor furniture for the Sydney Opera House.

Theatre patrons had to wait until Boxing Day 1957 for the theatre's opening - twenty-three years since the land was purchased for this purpose.