Limburg Cathedral

About

Limburg Cathedral (German: Limburger Dom), also known as Georgsdom ("George's Cathedral") after its dedication to Saint George, is located above the old town of Limburg in Hesse, Germany. It is the cathedral of the Catholic Diocese of Limburg. Its high location on a rock above the river Lahn provides its visibility from far away. It is the result of an Early Gothic modernisation of an originally Early Romanesque building, and therefore shows a Romanesque-Gothic transitional style. The medieval patron saints of the church were Saint George and Saint Nicholas.

When the first church was built above the Lahn on the Limburger Felsen ("Limburg Rock") is not exactly known. According to a reference in the Nekrolog of the Basilica of St. Castor in Koblenz, Archbishop Hetti of Trier (814–847) consecrated a church of Saint George in "Lympurgensis".

Incidental archaeological discoveries from Carolingian times under the current church support the existence of a 9th-century church building in the area of the present chapel. There are no actual remains of the building, however, nor any indications of its exact location or of its patron saint. Since the aforementioned record of its consecration was first written down in the 16th century, its accuracy has been controversial in scholarly literature.

On 10 February 910, King Louis the Child issued a deed for the foundation of a Stift of canons, which the Gaugraf of Niederlahngau, Konrad Kurzbold (~ 885–948) had pushed for. The construction of a collegiate church probably began immediately. The choice of Saint George as patron is mentioned by Emperor Otto I in a document from the year 940. By then, the first church had very likely already been completed.

In the 11th century, that first church was replaced by an Early Romanesque basilica. A lead reliquary from the 11th century, found in 1776 in the main altar in the form of a schematic model of a church, mentions a Graf ( count ) Heinrich as founder and builder of a new " templum ", that being apparently the new basilica.

Around 1180, an extensive remodelling had begun that gave the church its present-day shape. In the western part, the nave and the transept, and the walls up to the top of the level of the galleries, are remnants of the Early Romanesque basilica. The Gothic modernisation had started in the west and proceeded eastward. Most of the windows and the western portal were vertically elongated in Gothic style, but the vaults of the aisles of the nave are still of Romanesque type. Relics of the Romanesque walls of the choir, including a bank of stone, can be seen below the arcades around the choir. The outer walls of the ambulatory are originally Gothic, and so are the vaults of the ambulatory. Many details inside the church suggest that the builders followed the example of Laon Cathedral, the construction of which had been started one or two decades before the Gothic reworking of the collegiate church in Limburg.

In 1802, during secularisation, the Stift's independence was brought to an end (like many other abbeys and Stifte) and it was given to the Princes of Nassau-Usingen. This seizure took place as part of the German mediatisation, in which the House of Nassau received the Stift as compensation for the loss of the County of Saarbrücken on the left bank of the Rhine. After secularisation, the church was used as a parish church. In 1827, at the request of the Duchy of Nassau, the independent Diocese of Limburg was founded. This diocese contained the territory of the Duchy and the free city of Frankfurt am Main, with the bishop's seat in the former collegiate church of St George, which was promoted to the rank of cathedral.

The first bishop of Limburg was Jakob Brand (1827–1833). The diocese has currently about 700,000 Catholics and is one of the younger dioceses. On 2 February 2007, Pope Benedict XVI accepted the age-related resignation of former bishop Franz Kamphaus. Franz-Peter Tebartz-van Elst was named new bishop on 28 November 2007, and took office on 20 January 2008. He was suspended on 23 October 2013, he was thereupon general vicar Wolfgang Rösch, who in turn was replaced by Georg Bätzing, who was elected to the office of Bishop by the Cathedral Chapter, confirmed by Pope Francis and ordained by Archbishop Woelki in 2016, since 2020 he has been Chairman of the German Bishops‘ Conference.

The cathedral is a three-aisled basilica, which combines late Romanesque and early Gothic elements. It has a narthex at the western end and a semi-circular choir with an ambulatory. The outside measures 54.5 m long, with a width of 35.4 m. The building has a complicated structure; seven spires rise from it. The number seven is a symbolic reference to the number of the sacraments. The tallest of these towers are on the western side and rise to a height of 37 m. They form the distinctive " twin-tower façade [ de ] " of the west front. Such twin-tower façades are common in the Rheinland, for example at Xanten, Andernach [ de ] and Koblenz. The pointed crossing spire stands above all the other spires with a height of 66 m at the centre of the building. This height is the result of a lightning strike in 1774, before which the tower was 6.5 metres higher. The corner towers on the southern transept were erected in 1863.

The west front is divided into five levels. The most eye-catching stylistic element is a huge round window, surrounded by eight small rosettes, which forms a clear centre of the west front. The rosette symbolises the four Evangelists. Despite the symmetry of the twin towers, there is rich variation in forms and building elements, e.g. round and pointed arches, pilaster strips, small pillars, archivolts, windows and blind arches. The upper level of the north tower includes Gothic elements (e.g. window tracery).

During restorations between 1872 and 1873, the polychrome exterior painting of the cathedral was removed (the colours were, previously, white, red, yellow-brown, black and a little green) and the stone was left bare. Between 1968 and 1972, the polychrome exterior was restored, using remains of the colour from the period before 1872 in order to reconstruct the old patterns.

Main portal with cloverleaf door opening and three-step pointed arch

The seated figure left of the main door is the patron Saint Nicholas

Rose window in the west front with early Gothic circular tracery

Bust of the Evangelist Mark with his symbol, the lion, on the west front

Saint George above the entrance to the cathedral, west front

The crossing spire and the towers of the transepts

The interior of the cathedral (nave and choir) is dominated by the completely undecorated buttresses, which reach all the way to the ceiling. More of the buttress system is hidden in the galleries of the side aisles. The comparatively plain and bright interior is marked by a narrow, high central nave. It is divided into four levels with arcades, galleries, triforia and clerestories.

Interior from the crossing, looking west

Medieval window in the back part of the cathedral ( peristyle )