Royal Castle in Warsaw

About

The Royal Castle in Warsaw (Polish: Zamek Królewski w Warszawie [ˈzamɛk kruˈlɛfskʲi v varˈʂavjɛ]) is a state museum and a national historical monument, which formerly served as the official royal residence of several Polish monarchs. The personal offices of the king and the administrative offices of the royal court were located in the Castle from the 16th century until the final partition of Poland in 1795. Situated in the Castle Square, at the entrance to the Old Town, the Royal Castle holds a significant collection of Polish and European art. The Royal Castle witnessed many notable events in Poland's history; the Constitution of 3 May 1791, first of its type in Europe and the world's second-oldest codified national constitution, was drafted here by the Four-Year Parliament. The edifice was redesigned into a neoclassical style following the partitions of Poland. Under the Second Polish Republic (1918–1939), it was the seat of the Polish head of state and president. The Second World War brought complete destruction to the building; in September 1939 it was targeted and ignited by Luftwaffe fighter aircraft, and then detonated by the Nazis after the failed Warsaw Uprising in 1944. In...

Main article: History of the Royal Castle, Warsaw

The history of the castle dates back to the 14th century when the first Castle Tower was constructed, and the fortified complex was initially used as the residence of the Masovian dukes. In the early 1600s, it was designated to replace Wawel Castle in Kraków as the seat of the king, Parliament (Chamber of Deputies and Senate), and the Polish–Lithuanian Commonwealth. The medieval Gothic structure was remodeled into Italian mannerism by architects Matteo Castelli and Giovanni Battista Trevano. The Baroque easternmost wing was designed by Gaetano Chiaveri and completed in 1747.

In 1339, the Papal Legate in Warsaw heard a case brought by the King of Poland, Casimir III the Great, against the German Teutonic Order. He claimed that they had illegally seized a slice of Polish territory — the Pomerania and Kuyavia regions. The documents in this case are the earliest written testimony to the existence of Warsaw. At that time a fortified town surrounded by earthen and wooden ramparts, and situated where the Royal Castle now stands, it was the seat of Trojden, duke of Masovia. At the end of the 13th century, during the Duke Conrad's rule, the wooden-earthen gord called "Small Manor" ( Latin : Curia Minor ) was erected. The next duke, Casimir I, decided to build the Great Tower ( Latin : Turris Magna ), possibly one of the first brick building in Warsaw.

In the middle of the 14th century, the Castle Tower was built, and its remains up to the first storey have survived to this day. During the reign over Masovia by Duke Janusz I the Elder, the Curia Maior (Big Manor) was erected between 1407 and 1410. Its façade, which was still standing in 1944, was knocked down by the Germans, but has been rebuilt since then. The character of the new residence and its size (47.5 m/14.5 m) decided the change of the buildings status, and from 1414, it functioned as a Prince Manor.

When the Duchy of Masovia was incorporated in the Kingdom of Poland in 1526, the edifice, which until then had been the Castle of the Dukes of Masovia, became one of the royal residences. From 1548 onwards Queen Bona Sforza resided in it with her daughters Izabela, who became Queen of Hungary, Catherine, later to become Queen of Sweden, and Anna Jagiellon, later Queen of Poland. In 1556–1557 and in 1564, the King of Poland, Sigismund II Augustus, convened royal parliaments in Warsaw. They met in the castle. Following the Lublin Union (1569), by which the Polish Crown and the Grand Duchy of Lithuania – were united as a single country, Warsaw Castle was regularly the place where the parliament of the Two-Nations State met. In 1569–1572, King Sigismund II Augustus started alterations in the castle, the architects being Giovanni Battista di Quadro and Giacopo Pario.

The Curia Maior was altered so as provide a meeting place for the Parliament, with premises for the Chamber of Deputies ( Sejm – delegates of the gentry) on the ground floor ( the Old Chamber of Deputies ), and the Senate Chamber (where the Senators debated in the presence of the King) on the first floor. This was one of the first attempts in Europe to create a building that would be used solely for parliamentary purposes. The parliamentary character of the Curia Maior is stressed by the paintings of the facade – the coats-of-arms of Poland, of Lithuania, and of the various regions from which the delegates were elected. A new Renaissance style building, known as the "Royal House", was erected next to the Curia Maior. The king resided there when the parliament was in session.

The next alterations to the castle were made in the reign of Sigismund III Vasa, who transferred the royal residence from Kraków to Warsaw. In 1598–1619, the castle was enlarged. Giovanni Trevano was in charge of the reconstruction. His plans were probably amended by the Venetian architect Vincenzo Scamozzi.

Between 1601 and 1603, Giacomo Rodondo finished the new northern wing. From 1602 Paolo del Corte was doing stonework. Later after 1614, when Matteo Castelli took the lead, the western wing was built (from today's Plac Zamkowy side) as chancelleries and a marshals office. The southern wing was built at the end. In that way, five-wings in a mannerist -early baroque style were built. In 1619, the New Royal Tower ( Latin : Nova Turris Regia ), also called Sigismund's Tower, was finished. It was 60 meters high and was placed in the middle of a newly built west castle 90 meters in length. At the top of the tower, a clock with gilded hands and copper face was placed. The new tower's spire was 13 meters high and had glided knobs and a copper flag at the top.

On 29 October 1611 in the Senator's Chamber, Tsar Vasili IV of Russia, who had been captured by the hetman Stanisław Żółkiewski, paid homage to the Polish king Sigismund III Vasa.

Sigismund III and his successors of the Vasa dynasty — Władysław IV Vasa and John II Casimir Vasa — collected many rich works of art in the castle, such as oriental fabrics, tapestries, and numerous paintings by such famous artists as Titian, Veronese, Jacopo and Leandro Bassano, Tintoretto, Palma il Giovane, Antonio Vassilacchi, Tommaso Dolabella, Guercino, Guido Reni, Joseph Heintz the Elder, Bartholomeus Spranger, Roelant Savery, Rembrandt, Pieter Soutman, Peter Danckerts de Rij, Peter Paul Rubens, Jan Brueghel the Elder, Daniel Seghers, Georg Daniel Schultz and sculptures by Giambologna, Giovanni Francesco Susini and Adriaen de Vries. These splendid works of art were either destroyed or plundered during the invasions of Poland by Sweden and Russia during the Deluge, in 1655–1657. The Swedes took all the priceless pictures, furniture, tapestries, the royal library, the crown archive, numerous sculptures, whole floors and royal flags. In the castle they had a military Lazareth field hospital, which additionally contributed to the devastation of the buildings. A few months later armies destroyed the rest, plundering most of the copper elements and tearing up the rest of castle's floor.

The majority of the preserved castle furnishings from the Vasa period found their place in the collection of the Visitationist Monastery in Warsaw as donations from the last Vasa, John II Casimir and his French-born wife Marie Louise Gonzaga.

In 1628, the first Polish opera – Galatea, was staged at the Castle. The great opera hall (double-storied, over 50 m long), which existed at the Royal Castle, was demolished by Swedes and Germans and rebuilt in the 1660s by King John II Casimir.

In 1657, the reconstruction of the castle started, under the Italian architect Izydor Affait's guidance. Because of the lack of money, the following Polish king, Michael I Korybut did not decide on radical rebuilding, just limiting himself to rebuilding destroyed buildings. Because of the bad conditions of the residence, he had to move to Ujazdów Castle in 1669. Until 1696, when the next Polish king, John III Sobieski, died, no serious works were done. They only limited work to current inspections of the building's condition. Sessions of Parliament continued to be held in the castle, as well as various State occasions, such as when the Hohenzollern dukes of Prussia paid homage to the kings of Poland and occasions when the king received the ambassadors of foreign countries.

After choosing Augustus II in an election in 1697, the castle again began to deteriorate. A new conflict with Charles XII of Sweden significantly limited the king's budget. Despite problems, in 1698 Augustus II commissioned a residence reconstruction project. In 1700 it was done by Johann Friedrich Karcher, who came from abroad. On 25 May 1702 the Swedes re-seized the Royal Castle in Warsaw, creating a hospital with 500 beds, and into the Chamber of Deputies and ministers' rooms, they placed a stable. During the Polish army's siege in 1704 the castle was retaken. However, it was soon retaken once more by Sweden's army. In 1707, by virtue of the peace treaty between Augustus II and Charles XII of Sweden, Russian allied troops entered Warsaw, and Tsar Peter I of Russia settled in the castle. After two months, Russian forces were removed from Warsaw, taking with them works of art from the castle, including Tommaso Dolabella 's pictures, which included two that were very important for Russians: The Defense of Smolensk and Russian Tsar Vasili IV compelled to kneel before Polish King Sigismund III of Poland. Władysław IV's Opera Hall was completely devastated and was never restored.

The reconstruction according to Karcher's plans began from 1713 to 1715. In 1717 the Parliament Hall was completely rebuilt. It was used to serve the Saxon rulers as a coronation hall. During the following years, between 1722 and 1723, the other castle halls were converted-under the direction of architect Joachim Daniel von Jauch, the new Senate Chamber was built, and all the furnishings moved from the old to the new location, including among others: 60 Polish provincial emblems, panelling, mouldings and lesene. On 31 May 1732, a fire broke out in the castle destroying the west elevation and part of the Sigismund's Tower and the exterior façade sculptures, known as armature.

The next reconstruction project of the Royal Castle appeared after Augustus III was elected to the Polish throne in 1733. New plans, which were formed in 1734 and developed in 1737 by architect Gaetano Chiaveri, saw among other things, the reconstruction of the castle's façade on the Vistula side in the rococo style, which was meant to form a new so called Saxon elevation and also the conversion of the north-east part with the Altana Tower, where it was planned for 3 two-storey avant-corps (risalto) to be built on. The reconstruction work according to these plans was carried out with various intensity between 1740 and 1752. During the period of 1740–1747, the façade on the Vistula side was reconstructed in the late baroque style (architects: Gaetano Chiaveri, Carl Friedrich Pöppelmann, Jan Krzysztof Knöffel). One of the best sculptors who did work on the castle in this period was Jan Jerzy Plersch, who made the royal decorative frames, mouldings and statues called the Famous Figures, which held the royal crowns on the top of the middle risalto, of the Saxon elevation, on the Vistula side. The last reconstruction work of this period was finished by late 1763, after the death of Augustus III, when Plersch made the last sculptures and frames with province emblems for the Parliament Hall.

The most splendid period in the history of the Castle was during the rule of Stanisław II Augustus (1764–1795). This monarch collected exquisite works of art, many of which have survived to this day. He recruited first-rate architects such as Jakub Fontana, Domenico Merlini, Jan Chrystian Kamsetzer, and Jakub Kubicki, to work on the castle, as well as splendid painters such as Marcello Bacciarelli, Bernardo Bellotto, Franciszek Smuglewicz, Kazimierz Wojniakowski, and Jean-Baptiste Pillement and eminent sculptors such as André-Jean Lebrun and Jakub Monaldi, and famous French artists such as the architect Victor Louis. The total reconstruction of the castle planned by the King did not come to fruition, but the interior was changed to the neoclassical style – although this, known in Poland as the Stanisław Augustus style, was rather different from neoclassicism in the rest of Europe.

During 1766–1785 on the basis of Jakub Fontana's plans, the southern wing of the castle, which was burnt on 15 December 1767 was rebuilt (2 destroyed floors, a new elevation on the south side with three avant-corps or risalti, the division of the façade by lesene and pilasters with Ionic capitals). Between 1774 and 1777, the monarch's private apartments were furnished. They consisted of the Prospect Room (with landscapes by Canaletto ), the chapel, the Audience Chamber, and the Bedchamber, while between 1779 and 1786 the Senate Apartments were completed, consisting of the Ballroom, the Knights Hall, the Throne Room, the Marble Room, and the Conference Chamber. These rooms contained pictures and sculptures depicting great events in Poland's history, as well as portraits of Polish kings, generals, statesmen and scholars (including Copernicus and Adam Naruszewicz ). In 1777, a gilded bronze altar presented to King Stanisław II Augustus by Pope Clement XIV, was installed in the new Chapel of the Royal Castle, so-called Saxon Chapel (today's concert hall). The castle also housed the rich royal collections including 3200 pictures, classical statues, about 100 000 graphics, in addition to medals, coins, and a fine library, to house which a separate building was erected in 1780–1784. The new library building housed many books, gems, drawings, coins, maps and plans belonging to the monarch. The Royal Library's book collection amounted to 16 000 volumes of various works, 25,525 drawings, 44,842 etchings in 726 bound volumes, overall a number of 70,000 etchings—fancy dress balls were also held in this hall.

Up until 1786 Stanisław II Augustus tried a few times to change the outside decor of the castle and to build an architectural castle square, he was not however successful in carrying out these plans.