Museo Civico San Domenico

About

The Museo Civico San Domenico (San Domenico Civic Museum), or Musei San Domenico (San Domenico Museums), is a museum complex in Forlì, Italy, created within the spaces of a convent of the Dominican Order dating back to the 13th century. It houses several permanent collections, including the Civic Art Gallery, and regularly hosts temporary exhibitions.

The San Domenico Civic Museum in Forlì is located in the former Dominican convent, founded in the 13th century and subsequently expanded between the 15th century and the 18th century. After the suppression of religious orders, the complex was used as barracks and later for industrial purposes. Starting in 1980, initial consolidation and restoration works were undertaken, highlighting the historical and artistic value of the building and promoting its transformation into a museum venue. In 1996, the restoration project was incorporated into a broader plan for reorganizing the city’s cultural institutions, with the aim of restoring the complex’s central role through exhibition functions, research spaces, and urban cultural routes.

The restoration, which lasted over a decade, made it possible to reconstruct the developmental phases of the convent, from the 13th-century church to Renaissance and 18th-century transformations, and its long military use between the 19th century and the 20th century. The convent’s architectural typology proved suitable for its new function, allowing the various museum sections to be arranged within its spaces. The ground floor and underground areas were designated for the Archaeological Museum and the city museum, while the upper floor houses the Civic Art Gallery and large library halls, suitable for altarpieces and important collections, including the statue of Hebe by Antonio Canova. The Church of San Giacomo, restored as a unified space, is used for temporary exhibitions, concerts, and conferences, while the underground areas contain archaeological finds, visible storage areas, and restoration laboratories.

The project followed principles of conservation and enhancement, involving the use of materials compatible with the original ones and the insertion of recognizable modern elements, achieving a balance between respect for historical integrity and contemporary functionality. The museum layout was designed to integrate the historical character of the spaces with the needs of a modern museum, through architectural and lighting solutions that enhance spatial continuity and the readability of the artworks.

The museum officially opened in 2005 with a major exhibition dedicated to Marco Palmezzano, marking the beginning of the complex’s new cultural function, now considered one of the city’s main museum centers.

The San Domenico museum complex consists of five structures:

- Dominican Convent – Founded in the 13th century and expanded in subsequent centuries, it constitutes the original core of the complex.

- Church of San Giacomo Apostolo – Built between the 13th and 14th centuries, it preserves frescoes and Renaissance decorations and is incorporated into the exhibition route.

- Augustinian Convent – Dating back to the 13th century, it was progressively transformed and is now integrated as a venue for temporary exhibitions.

- Santa Caterina Hall – A space decorated with 14th-century pictorial cycles, currently used for conferences, cultural events, and special exhibitions.

- Palazzo Pasquali – Built in the 15th century, it represents an example of Renaissance civil architecture and is now used for exhibitions and cultural activities. The refectory of the Dominican convent features 16th-century frescoes attributed to Girolamo Ugolini. On the north-east wall, the fresco is divided into three sections separated by architectural elements, with the Crucifixion in the center, the appearance of Saints Peter and Paul to Saint Dominic on the left, and Saint Dominic resurrecting the young Napoleone Orsini, who had fallen from a horse, on the right. On the south-west wall is depicted the table of Saint Dominic with the miracle of the loaves. This latter fresco was severely damaged by soldiers during the Napoleonic period.

The museum spaces host a rich variety of permanent collections ranging from medieval art to the 20th century, from prehistoric archaeology to modern sculpture.

See also: Pinacoteca Civica di Forlì The Civic Art Gallery, inaugurated in 1838, is housed within the complex and presents a vast collection of works covering a time span from the 13th to the 18th century. Among the most significant works are paintings by artists such as Beato Angelico, Guido Cagnacci, Antonio Canova, Baldassarre Carrari, Maceo Casadei, Domenichino, Gregorio di Lorenzo (the Master of the Marble Madonnas), Guercino, Lorenzo di Credi, Maestro dei Baldraccani, Melozzo da Forlì, Giorgio Morandi, Francesco Menzocchi, Livio Modigliani, Giovanni Antonio Nessoli, Marco Palmezzano, Antonio Rossellino, and others. This section offers a comprehensive overview of the artistic evolution of the region, with works spanning from the Middle Ages to the 18th century.

The “Major Donors” section, inaugurated in 2025 within the museum partly in the former Church of San Giacomo, brings together artworks donated to the city by collectors, families, and local patrons. The exhibition route is designed to highlight private contributions to civic heritage, with paintings, sculptures, and art objects selected for their historical, artistic, and documentary value. Among the main collections are:

It includes sculptures by the Milanese artist Adolfo Wildt, an exponent of Symbolism and Art Nouveau, donated by Marquis Raniero Paulucci di Calboli. The works, of strong expressive intensity, testify to the artist’s plastic and spiritual research.

It includes paintings and sculptures of the modern period, including works by Giorgio Morandi, Filippo de Pisis, Massimo Campigli and other protagonists of 20th-century Italian painting. The collection reflects the collecting taste and cultural commitment of the donors Arturo and Ada Righini.

A collection of twenty-eight artworks covering a time span from the 17th to the 19th century. This collection, donated to the city by Giuseppe Pedriali in 1932, offers insight into the taste and cultural customs of the time. The works include paintings by artists such as Jacques Sablet, Rachel Ruysch, Giambattista Tiepolo and Alessandro Magnasco, and are displayed on the ground floor of the complex.

The Verzocchi Collection is a unique set of paintings on the theme of labor, commissioned by entrepreneur Giuseppe Verzocchi between 1949 and 1950. It includes over seventy works created by Italian artists of the 20th century, each accompanied by a self-portrait and a written reflection on the meaning of work. Artists represented include Giorgio de Chirico, Renato Guttuso, Carlo Carrà, Mario Sironi, Massimo Campigli, Enrico Prampolini, Emilio Vedova, Giuseppe Capogrossi, Achille Funi, Ottone Rosai, Filippo de Pisis, Bruno Saetti, Aligi Sassu, Armando Spadini, Pio Semeghini, Fausto Pirandello and many others. The collection, previously exhibited at Palazzo Romagnoli, has been rehoused at the San Domenico Museum since 2025.

See also: Pinacoteca Civica di Forlì The Civic Art Gallery, inaugurated in 1838, is housed within the complex and presents a vast collection of works covering a time span from the 13th to the 18th century. Among the most significant works are paintings by artists such as Beato Angelico, Guido Cagnacci, Antonio Canova, Baldassarre Carrari, Maceo Casadei, Domenichino, Gregorio di Lorenzo (the Master of the Marble Madonnas), Guercino, Lorenzo di Credi, Maestro dei Baldraccani, Melozzo da Forlì, Giorgio Morandi, Francesco Menzocchi, Livio Modigliani, Giovanni Antonio Nessoli, Marco Palmezzano, Antonio Rossellino, and others. This section offers a comprehensive overview of the artistic evolution of the region, with works spanning from the Middle Ages to the 18th century.

The “Major Donors” section, inaugurated in 2025 within the museum partly in the former Church of San Giacomo, brings together artworks donated to the city by collectors, families, and local patrons. The exhibition route is designed to highlight private contributions to civic heritage, with paintings, sculptures, and art objects selected for their historical, artistic, and documentary value. Among the main collections are: